Every night after shooting, Celia and I would stay late in my trailer and rehearse our scenes. Celia was Method. She tried to “become” her character. That wasn’t really my speed. But she did teach me how to find moments of emotional truth in false circumstances. It was a strange time in Hollywood. There seemed to be two tracks running parallel to each other at the same time back then. There was the studio game, with studio actors and studio dynasties. And then there was the New Hollywood making its way into the hearts of audiences, Method actors in gritty movies with antiheroes and untidy endings. It wasn’t until those evenings with Celia, the two of us sharing a pack of cigarettes and a bottle of wine for dinner, that I even started paying attention to the new stuff. But whatever influence she had on me was a good one, because Ari Sullivan thought I could win an Oscar. And that made me like Celia all the more. Our weekly outings to hot spots like Rodeo Drive weren’t even feeling like a favor anymore. I did it happily, attracting attention for her simply because I enjoyed her company. So as I sat there in Harry’s office, pretending to be pissed at both of them for not being very helpful, I knew I was with my two favorite people. “What does Don say about it?” Celia asked. “I’m sure he’s going all around the lot trying to find me.” Harry looked at me pointedly. He knew what might happen if Don read it in a bad mood. “Celia, are you shooting today?” he asked. She shook her head. “The Pride of Belgium doesn’t start until next week. I just have some wardrobe fittings later, after lunch.” “Tll move your wardrobe fittings. Why don’t you and Evelyn go out shopping? We can call over to Photoplay, let them know you'll be on Robertson.” “And be seen out around town with single gal Celia St. James?” I said. “That sounds like the perfect example of what I shouldn’t do.” My mind kept racing through the contents of that stupid article. She can't be bothered to be kind to the help.