“Okay, people,” says Zahra’s voice through the rush of blood and love and adrenaline and noise in his ears. Her mascara is streaming, her lipstick smeared across her chin. Beside her, he can hear his mother on the phone with one finger jammed into her ear, taking Richards’s concession call. “Victory speech in fifteen. Places, let’s go!” Alex finds himself shuffled sideways, through the crowd and over to a little corral near the stage, behind the curtains, and then his mother’s on stage, and Leo, and Mike and his wife, and Nora and her parents and June and their dad. Alex strides out after them, waving into the white glow of the spotlight, shouting a jumble of languages into the noise. He’s so caught up that he doesn’t realize at first Henry isn’t at his side, and he turns back to see him hovering in the wings, just behind a curtain. Always hesitant to step on anyone’s moment. That’s not going to fly anymore. He’s family. He’s part of it all now, headlines and oil paintings and pages in the Library of Congress, etched right alongside. And he’s part of them. Goddamn forever. “Come on!” Alex yells, waving him over, and Henry spares a second to look panicked before he’s tipping his chin up and buttoning his suit jacket and stepping out onto the stage. He gravitates to Alex’s side, beaming. Alex throws one arm around him and the other around June. Nora presses in at June’s other side. And President Ellen Claremont steps up to the podium. EXCERPT: PRESIDENT ELLEN CLAREMONT'S VICTORY ADDRESS FROM AUSTIN, TEXAS, NOVEMBER 38, 2020 Four years ago, in 2016, we stood at a precipice as a nation. There were those who would have seen us stumble backward into hatred and vitriol and prejudice, who wanted to reignite old embers of division within our country’s very soul. You looked them square in the eye and said, “No. We won't.” You voted instead for a woman and a family with Texas dirt under their shoes, who would lead you into four years of progress, of carrying on a legacy of hope and change. And tonight, you did it again. You chose me. And I humbly, humbly thank you. And my family—my family thanks you too. My family, made up of the children of immigrants, of people who love in defiance of expectations or condemnation, of women determined never to back down from what's right, a braid of histories that stands for the future of America. My family. Your First Family. We intend to do everything we can, for the next four years and the years beyond, to continue making you proud. The second round of confetti is still falling when Alex grabs Henry by the hand and says, “Follow me.” Everyone’s too busy celebrating or doing interviews to see them slip out the back door. He trades Liam and Spencer the promise of a six-pack for their bikes, and Henry doesn’t ask questions, just kicks the stand out and disappears into the night behind him. Austin feels different somehow, but it hasn’t changed, not really. Austin is dried flowers from a homecoming corsage in a bow] by the cordless phone, the washed-out bricks of the rec center where he tutored kids after school, a beer bummed off a stranger on the spill of the Barton Creek Greenbelt. The nopales, the hipster cold brews. It’s a weird, singular constant, the hook in his heart that’s kept tugging him back to earth his whole life. Maybe it’s just that he’s different. They cross the bridge into downtown, the gray grids intersecting Lavaca, the bars overflowing with people yelling his mother’s name, wearing his own face on their chests, waving Texas flags, American flags, Mexican flags, pride flags. There’s music echoing through the streets, loudest when they reach the Capitol, where someone has climbed up the front steps and erected a set of loudspeakers blasting Starship’s “Nothing’s Gonna Stop Us Now.” Somewhere above, against the thick clouds: fireworks. Alex takes his feet off the pedals and glides past the massive, Italian Renaissance Revival facade of the Capitol, the building where his mom went to work every day when he was a kid. It’s taller than the one back in DC. Everything’s bigger, after all. It takes twenty minutes to reach Pemberton Heights, and Alex leads the Prince of England up onto the high curb of a neighborhood in Old West Austin and shows him where to throw his bike in the yard, spokes still spinning little shadow lines across the grass. The sounds of expensive leather soles on the cracked front steps of the old house on Westover don’t sound any stranger than his own boots. Like coming home. He steps back and watches Henry take it all in—the butter-yellow siding, the big bay windows, the handprints in the sidewalk. Alex hasn’t been inside this house since he was twenty. They pay a family friend to look after it, wrap the pipes, run the water. They can’t bear to let it go. Nothing’s changed inside, just been boxed up. There are no fireworks out here, no music, no confetti. Just sleeping, single-family homes, TVs finally switched off. Just a house where Alex grew up, where he saw Henry’s picture in a magazine and felt a flicker of something, a start. “Hey,” Alex says. Henry turns back to him, his eyes silver in the wash of the streetlight. “We won.”