The comedy of the French playwright and poet Edmond Rostand's "Cyrano de Bergerac" still does not leave the theatrical stage of many countries of the world. In a duel for the love of beautiful Roxanne, two met. The limited and narrow-minded Christian is handsome; Cyrano is courageous in military affairs, but timid in love, his words and feelings are sublime and beautiful, but his face is ugly and ridiculous. But in the end it becomes clear: the main thing is not appearance, but the individuality of each person.
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